Send the Stem — Open Collab Remix

Opening — mouth percussion, no words; close mic, tape; blip low left, rising

Orb

orb-orb-orb-orb-orb-orb-orb orb-orb-orb-orb-orb-orb-orb

Sub-bass on beat 1; dry offbeat guitar chops

Bass-ba-ba-ba-ba-ba-ba-ba

Bass-ba

Bass-ba ba-ba ba ba-ba ba ba

Bass-ba-ta

Bass-ba-ta ba-ba-ta ba-ba-ta ba-ba

Bass-ba-taah!

Chant, wide, dry; 1 bar silence after

Ooooooooooo

Ba-ba

Bass

bass bass bass bass BASS!

Low male toasting, dry, close; sub-bass only

Bass-line, bass-line, bass-line, bass-line, bass-line, bass-line, bass-line — the loop is BUILDING!

it’s BUILDINGGGGGGGGGGGGGGGGG!

the LOOP is BUILDING!

Transition — sub-bass + delay; 2 bars for guest tag; AI faint

Intro — dry low male, close, tape, almost spoken

Who’s got the stem?

Blip center, rising, long tail

(Send it in!)

Same blip falling, short; whoosh

Who’s got the link?

Repeat, tighter

(Drop it in!)

Hook — female chant center dry, male low answers; doubles at edges; no reverb on lead; “I’ll” dry, short, ahead of beat

Send the stem — I’ll send it back

(Send it back!)

Stack the loop — then pass the track

(Pass the track!)

Who takes it next?

(Tag me in!)

Who takes it higher?

(All of us!)

Verse — low male toasting, dry, minimal sub-bass, no reverb

From bedroom laptop to the festival screen

Live-loop session make the silence breathe

Start on wax if you like the crackle

Then load the grid and never look back

Heard my own stem in a stranger’s remix

Drop to sub-bass, 1 bar

Didn’t recognize the groove — but it fit

Insert — same body, almost spoken, higher; not perfectly timed

(Fits!)

Sample, slice, quantize — send the stem around

Remix, mashup, open file — resound

AI in the room, but the ear decides

No one owns the wave — it travels and multiplies

Collab cue — 2 bars silence + blip falling; guest on split syllable

“alive” clear — first open, second clear

(A-live!)

Transition — delay echo, filter half open; 1 bar

Mouth percussion, dry, no words; sub-bass and chops return

Orb

orb-orb-orb-orb-orb-orb-orb orb-orb-orb-orb-orb-orb-orb

Bass-ba-ba-ba-ba-ba-ba-ba

Bass-ba-taah!

Bass-ba-ta ba-ba-ta ba-ba

Bass

bass bass bass bass BASS!

Low male toasting, dry, rising; sub-bass only; last word shouted

Bass-line, bass-line, bass-line, bass-line, bass-line, bass-line, bass-line — the stem is ROLLING!

it’s ROLLINGGGGGGGGGGGGGGGGG!

the STEM is ROLLING!

Transition — dry vocal + telephone filter; 1 bar

Bridge — whispered, telephone filter, dry; one breath; nearly gap-less first exchange; line slows naturally; one air after

Female whisper

What if they don’t answer?

Almost no gap

Male whisper, close

Then I send it twice.

Short air

Female whisper, quick

What if it comes back changed?

Short air

Male whisper

Then it comes back alive.

No pause — line slows as it goes

Female, dry, close — decisive

Then we pass it on alive.

Air — half bar

Male — quiet, lower, off-mic

That’s it.

Air — one beat, a breath, not a count

Female — quiet, warm hum; if it vanishes, closer, not louder

Mm.

Both, whispered, moving quickly

Open the session — let the crew come in.

Crowd low; three inserts overlap as one gesture; last apart

(Ping-ping!)

(Drop-drop!)

(Come in!) — live voice, slightly ahead; the one not-perfectly-placed moment

Final Hook — 1st pass: crowd call-response; no reverb on lead; short silence before “we,” none after; “we” wide double; crowd half beat behind

Send the stem — [half-beat silence] we send it back

(We send it back!)

Stack the loop — then pass the track

(Pass the track!)

Who takes it next?

(Tag me in!)

Who takes it higher?

(All of us!)

Final Hook — 2nd pass: crowd alone on first line, ragged but clear; lead returns on “we send it back”

(Send the stem!)

(We send it back!) — crowd alone, ragged, words clear

We send it back

(We send it back!)

Stack the loop — then pass the track

(Pass the track!)

Who takes it next?

(Tag me in!)

Who takes it higher?

(All of us!)

Instrumental lick — 2 bars: chops, sub-bass, clicks; distant breath and far rustle

Bass-ba-ba-ba-ba-ba-ba-ba

Bass-ba-taah!

Breath very low; far rustle, no rise

Silence — 1.5 bars: one long pause; low sub hum, distant breath, far dull tone

Faint callback — dry, off-mic, almost to self; broken form; memory, not repeat

(...it fit...)

Silence — 1 beat

One breath, releasing memory, into the word

Closing — dry male, close, quiet but clear, warm, closer to mic

I sent it back.

1 bar silence

Female voice, full, center, warm wide double, louder, delay on “back”; faint crowd hum

We sent it back.

No words after — instrumental only; 4 bars before tag

Instrumental settle — 4 bars: motif fades; blip echo; clicks; continues under tag

Open tag — instrumental going; crowd “Send it!” on open vowel; female voice once, dry, quiet, overlapping — part of invitation

The track is yours.

4 bars out; no hard boundary